Better performance.
In shadow and highlight—designed for your workflow

Sharp, rich and evocative – push what’s possible on film with KODAK VISION3 500T Color Negative Film 5219/7219.

Setting a new precedent in image quality, KODAK VISION3 500T takes the look and image structure that people love in motion picture film, but reduces the amount of grain in shadows.

Thanks to our advanced, proprietary Dye Layering Technology (DLT), you can stretch the boundaries of exposure further than ever and still achieve outstanding results.

If you’re scanning low-light scenes, VISION3 500T Film gives superior signal-to-noise ratios. And its extended highlight latitude offers great flexibility, letting you pull more detail out of highlights too.

VISION3 offers enviable control at every step of the filmmaking process, in both digital and traditional workflows. So whether you’re behind the camera or in the post production suite, it hands you the power to ensure your footage delivers. The unique beauty of film, crystal clear.

KODAK VISION3 500T Color Negative Film.

Your vision is always evolving. Ours is, too.

Base
Acetate safety base with rem-jet backing.

Darkroom Recommendations
Do not use a safelight. Handle unprocessed film in total darkness.

Processing
ECN-2

Storage
Store unexposed film at 13°C (55°F) or lower. For storage of unexposed film longer than 6 months, store at –18°C (0°F). Process film promptly.

Exposure Index
Tungsten (3200K)—500; Daylight—320 (with KODAK WRATTEN Gelatin Filter No. 85)

Laboratory Aim Density
Time negative originals relative to Laboratory Aim Density (LAD)Control Film supplied by Eastman Kodak Company. More information about LAD and Digital LAD is available online at www.kodak.com/go/LAD

Color Balance
This film is balanced for exposure with tungsten illumination (3200K). You can also expose it with tungsten that has slightly higher or lower color temperatures (± 150K) without correction filters, since final color balancing can be done in postproduction. For other light sources, use the correction filters in the table to the right.

Reciprocity
No filter corrections or exposure adjustments for exposure times from 1/1000 of a second to 1 second. In the 10-second range, increase exposure 1 stop and use a KODAK WRATTEN 2 Color Compensating Filter CC10R.

Identification
After processing, the Kodak internal product code symbol (EJ), product code numbers 5219 (35 mm) or 7219 (16 mm), emulsion and roll number identification, and EASTMAN KEYKODE Numbers are visible along the length of the film.

Grain
The perception of graininess of any film depends on scene content, complexity, color, and density. In KODAK VISION3 500T Color Negative Film 5219/7219, the measured granularity is exceptionally low.

Sharpness
The perceived sharpness of any film depends on various components of the motion picture production system. Camera and projector lenses, film printers, and other factors play a role, but the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve.

Kodak 16mm Vision3 500T Color Negative Film #7219